Show #112: A Man, His Wife, and His Hat, AlterTheater, November 12.
I reviewed AlterTheater’s commissioned world premiere of a Lauren Yee play in today’s Marin Independent Journal, so hie thee over yonder to check it out.
A Man, His Wife, and His Hat runs through December 4 at 1414 Fourth St., San Rafael. http://altertheater.org
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Mad as a Hatter
Alien Nation
THEATER REVIEW: BERKELEY
Show #110: The Internationalist, Just Theater, November 6.
By Sam Hurwitt
“People are always more appealing when they’re unintelligible.” That’s what Sara says to Lowell in Anne Washburn’s play The Internationalist. It’s a pithy quote, but the play doesn’t necessarily prove it true.
Lowell is an American businessman just arrived in an unnamed Eastern...
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In Search of Lost Time
THEATER REVIEW: SAN FRANCISCO
Show #107: Sticky Time, Crowded Fire, October 29.
By Sam Hurwitt
There’s a Willie Nelson song that asks, “Ain’t it funny how time slips away?” The funny thing about Crowded Fire Theater’s new world premiere Sticky Time is that time in it slips all over the place, refusing to stick at all. Written...
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Mismatched Mishmash
THEATER REVIEW: SAN FRANCISCO
Show #98: Day of Absence & Almost Nothing, Lorraine Hansberry Theatre, October 14.
By Sam Hurwitt
Longtime American Conservatory Theater actor Steven Anthony Jones opens the first season he’s programmed as the new artistic director of Lorraine Hansberry Theatre, the Bay Area’s foremost African-American theatre company, with a double bill of two...
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The Book of Cain
THEATER REVIEW: BERKELEY
Show #97: How to Write a New Book for the Bible, Berkeley Repertory Theatre, October 12.
By Sam Hurwitt
Playwright Bill Cain has explored Shakespeare and the Gunpowder Plot in his hit play Equivocation and Iraq War atrocities in 9 Circles, both at Marin Theatre Company last year (and Circles is also playing...
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Let’s Talk About Race
THEATER REVIEW: SAN FRANCISCO
Show #105: Race, American Conservatory Theater, October 27.
David Mamet’s play Race is a fine example of truth in advertising. It’s a play about race, and pretty much nothing but race. A powerful old white businessman has been accused of raping a young black woman, and he’s looking to switch law firms...
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Fatefully Yours
Show #108: Pelleas & Melisande, Cutting Ball Theater, October 30.
I reviewed the Cutting Ball Theater’s new translation of the Symbolist classic for today’s Marin Independent Journal. So hie thee hence to read all about it.
Pelleas & Melisande runs through November 27 at EXIT on Taylor, Taylor St., San Francisco. http://cuttingball.com
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