This List Goes to ’11
It’s a good problem to have: Looking over the list of the 118 local shows I saw this year, I had a hard time narrowing it down to a Top Ten. There are plenty of ways in which 2011 was a tough, lousy, no-good year, but in terms of what I saw on the Bay Area stage, it was pretty damn good. It was a great year for solo shows, between the Marsh (Marga Gomez’s Not Getting Any Younger, Don Reed’s The Kipling Hotel and Geoff Hoyle’s Geezer) and Berkeley Rep (Mike Daisey’s The Agony and the Ecstasy of Steve Jobs and The Last Cargo Cult, Anna Deavere Smith’s Let Me Down Easy and Rita Moreno’s Rita Moreno: Life Without Makeup). There were a couple of great visiting performances by screen stars: Kevin Spacey as Richard III, John Malkovich as mass murderer Jack Unterweger. And there were any number of other shows that thoroughly charmed me in one respect or another but didn’t quite crack the Top Ten: Crowded Fire and Asian American Theatre Company’s Songs of the Dragons Crying to Heaven, Sleepwalkers Theatre’s The Nature Line, Shotgun Players’ Beardo and Care of Trees, Impact’s Disassembly, SF Playhouse’s Tigers Be Still. As for what did make it onto the list, I tried to rank them in order of preference, but no matter how many times I tweak it the ranking feels arbitrary. So let’s say that, like one’s own children, I love them all equally, and just hope they buy that.
Rockin’ Verona
California Shakespeare Theater is doing more Shakespeare than usual this season. Since Jonathan Moscone took over as artistic director in 2000, he’s brought in more than the occasional non-Shakespeare production the company had done before that but at least one play by someone else each year, and since 2004 it’s been half-and-half. This season’s four plays are also split evenly between the Bard and other authors—there’s Titus Andronicus and Taming of the Shrew alongside Shaw’s Candida—but in a way there are three Shakespearean works in the mix because the one completely new play, The Verona Project, is based on Two Gentlemen of Verona, sometimes believed to be William Shakespeare’s first play, and far from his best.
