Soup Kitchen Confidential
Shotgun cooks up redemption in soup kitchen drama Grand Concourse.
My review is in the East Bay Times and Mercury News. Read more
Busboy Confidential
Marin Theatre Company takes us deep in the lives of busboys.
Read my review in the Marin Independent Journal. Read more
The Anguish of the Battlecock
Ever wonder what goes through the head of a cockfighting rooster? Wonder no more!
My review of Impact Theatre’s Year of the Rooster is in the Contra Costa Times. Read more
Kreepy Kritters
It’s a madhouse. When you enter the Exit on Taylor to see Cutting Ball Theater’s world premiere of Krispy Kritters in the Scarlett Night by the company’s new resident playwright, Andrew Saito, there’s all kinds of unnerving behavior going on. There’s a legless old man in a wheelchair (David Sinaiko) hollering at people in a gravelly voice. Growling sounds pervade Cliff Caruthers’s sound design. An unstable-looking young man (Wiley Naman Strasser) is praying at the foot of a bed in the second floor of Michael Locher’s unnerving two-story set, with grungy brown walls and a white tile-lined staircase. A glamorous young woman (a magnetic Felicia Benefield) uses the bed to straddle some guy, a man in a suit (Drew Wolff) looks around fretfully, and people generally mill around in a volatile daze like inmates in an asylum.
