God and Mammon
John Patrick Shanley has written a lot of plays. He’s best known for 2004’s Doubt, a Parable, which won him a Pulitzer, Tony, Obie, Drama Desk, and a bunch of other awards, but he’s been cranking out plays since the early 1980s. He’s also the screenwriter of such films as Moonstruck, Congo and Joe vs. the Volcano, and I will defend the latter as easily his greatest work. I start with this list of his credentials because when I saw his latest play, Storefront Church at San Francisco Playhouse, my take-away was that this guy isn’t really a playwright.
Dont Be Absurd
The Cutting Ball Theater is big on the avant-garde classics, and now it unveils a new translation of Eugène Ionesco’s The Chairs that can be hard to sit through. My review‘s in today’s Marin Independent Journal.
