You Take the Good, You Take the Bad
WONDER WEDNESDAY
On Wednesdays I look at various chapters in Wonder Woman’s history. Click here for previous installments.
A couple of weeks ago, two important Wonder Woman comics came out. One was the first issue of Wonder Woman by its much-dreaded new creative team of beefcake/cheesecake artist David Finch and his wife, untested writer Meredith Finch. And to judge the book by the cover, things didn’t look too promising. Oh, the baby-doll face! Oh, the awkward T&A pose!
Wondy Don’t Play That
WONDER WEDNESDAY
On Wednesdays I look at various chapters in Wonder Woman’s history. Click here for previous installments.
It may be late in the day, but dagnabbit, it’s still Wednesday! Usually I write these things the night before, but last night I was exhausted and in a bit of a funk and not feeling up to writing. But also, I knew this particular Wednesday would be a big one for Wonder Woman. Maybe the biggest news is that Brian Azzarello and Cliff Chiang’s run on Wonder Woman ends today with issue 35, clearing the way for the much-dreaded new team of David and Meredith Fitch, but I read the current Wonder Woman series in trade collections, so I can’t talk intelligently about the last issue without reading the run-up to it. I will say, though, that all of DC’s series this month have Halloween-themed “monster” variants available, and Aaron Lopestri’s vampire variant for Wonder Woman #35 is pretty great.
