TheatreFIRST revives a typically testosterone-fueled Mamet classic (the first of three local theaters to stage Glengarry Glen Ross in a few months).
Impact Theatre’s Richard III is unusually slow for either the company or the play.
Three messed-up daughters convene after their cruel mother’s death in Enemies: Foreign and Domestic at Central Works.
There’s a little Catherine Trieschmann festival going on right now, with two companies presenting Bay Area premieres of the award-winning playwright’s works.
Three Sisters is one of those classics that other playwrights just love adapting.
City Lights’ Build is very much a Silicon Valley play.
Actors Ensemble of Berkeley revives Dust Bowl musical Panhandle — with mixed results.
Tri-Valley Rep takes on the musical mammoth that is Les Mis.
Somebody’s trying to tell you something, and it’s clearly something desperately important, but you can’t understand. That’s what it feels like watching Superheroes, the world premiere by Sean San Jose that opens Cutting Ball’s 16th season.
Kathleen Turner plays journalist Molly Ivins as a patchwork of quips.