Dracula Rises from Graves

Shakespeare’s cool and all, but the cultural legacy of Bram Stoker is incalculable, especially for someone who’s really only known for one book. (He wrote others, but how many can you name?) Sure, he based the character on Count Dracula very loosely on a 15th century historical figure (although there’s some debate about how much he knew or cared about that and how much has been projected onto his work by enthusiastic scholars and fans), but what we think of when we think of Dracula is entirely Stoker’s invention. For that matter, our whole conception of vampires in general is inextricably tied up in Stoker’s imagination, though certainly it was influenced by folk tale and some earlier, lesser known vampire tales of the 1800s, like Carmilla and Varney the Vampire. It’s a safe bet that if Stoker had never written Dracula, the vampire craze in popular culture over the last century-plus would never have happened.
Private Parts

I should have known this play was trouble from the start. The scene looked inviting enough when I walked into the Phoenix Theatre to see Pardon My Invasion. Fred Sharkey’s set is a nicely detailed living room or home study with a desk with a typewriter and a bottle of booze, with more reinforcements above the fireplace. But as soon as the play begins to the strains of the Beatles’ “Paperback Writer” (appropriately licensed, I’m sure), we see that the woman sitting at the typewriter wears a fedora down over her eyes while she bangs out her manuscript. This is a very bad sign. She’s writing a lurid potboiler of a detective novel in a ludicrously overblown style that would put Mickey Spillane to shame (and Mickey Spillane has no shame).
Inaction in Action

San Francisco’s fledgling 3Girls Theatre Company is jumping into the Bay Area theater community with both feet, spending all of March (Women’s History Month, that is) in residence at Thick House with two fully staged productions of plays by staff members AJ Baker and Lee Brady and staged readings of works in progress by several other local women writers.