Twice Told Tales

Twice Told Tales

On Wednesdays I look at various chapters in Wonder Woman’s history. Click here for previous installments.

WONDER WEDNESDAY

It seems like we just had the end of an era, but here we are at the end of another one. When DC abruptly decided to call it quits on the Emma Peel-like, fully human “mod” Wonder Woman of the late ’60s and early ’70s, longtime old-timey WW writer Robert Kanigher was put back in charge. After hastily disposing of Diana’s erstwhile supporting cast, he quickly gave her the powers and costume back, wiped her memory of the “mod” years, and put her back into the mousy Diana Prince secret identity. But then he promptly ignored the new status quo he’d set up to just retell his own stories from the 1940s, with new art by Ric Estrada. In the letters pages he made it pretty clear that this was just the way it was going to be, and when people asked if WW was going to rejoin the Justice League, his answer was a clear no.

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The Littlest Amazon

The Littlest Amazon

WONDER WEDNESDAY

On Wednesdays I look at various chapters in Wonder Woman’s history. Click here for previous installments.

We now continue with our look at the weird period in the mid-1970s when writer/editor Robert Kanigher

reclaimed control of the Wonder Woman comic book after the ill-fated “mod” experiment of a nonsuperpowered Wonder Woman. Kanigher not only went right back to basics with the old powers, costume and secret identity, but he even started retelling his own stories from the late 1940s, with very slightly updated (but still retro by ’70s standards) art by Ric Estrada. Read more

Till Kanga Come

Till Kanga Come

WONDER WEDNESDAY

On Wednesdays I look at various chapters in Wonder Woman’s history. Click here for previous installments.

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Wonder Wall of China

Wonder Wall of China

WONDER WEDNESDAY

On Wednesdays I look at various chapters in Wonder Woman’s history. Click here for previous installments.

Now that Robert Kanigher was back in charge after the

sudden end of the mod Wonder Woman experiment, the first thing he did was restore the old status quo: star-spangled outfit, magic lasso, invisible jet, the works. He also gave her a new job as a guide at the UN, nameless Asian and African-American roommates, and even a long-lost black sister. But no sooner did he set all that up than he abruptly wiped away even that little bit of newness and started presenting the same style of stories he used to write when he took over the Wonder Woman series in the late 1940s, after the death of creator William Moulton Marston. Suddenly Wonder Woman was the most old-fashioned comic that DC was putting out. Read more